Browse all books

Books with title THE DIAMOND PIN

  • The Diamond Ship

    Adrian Beckingham

    Paperback (Mogzilla, May 1, 2015)
    None
  • The Diamond Pin

    Carolyn Wells, Gayle Hoskins

    (Kessinger Publishing, LLC, Nov. 26, 2008)
    This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
  • The Diamond Pin

    Carolyn Wells

    (CreateSpace Independent Publishing Platform, May 16, 2014)
    "Well, go to church then, and I hope to goodness you'll come back in a more spiritual frame of mind! Though how you can feel spiritual in that flibbertigibbet dress is more than I know! An actress, indeed! No mummers' masks have ever blotted the scutcheon of my family tree. The Clydes were decent, God-fearing people, and I don't propose, Miss, that you shall disgrace the name." Ursula Pell shook her good-looking gray head and glowered at her pretty niece, who was getting into a comfortable though not elaborate motor car. "I know you didn't propose it, Aunt Ursula," returned the smiling girl, "I thought up the scheme myself, and I decline to let you have credit of its origin." "Discredit, you mean," and Mrs. Pell sniffed haughtily. "Here's some money for the contribution plate. Iris; see that you put it in, and don't appropriate it yourself."
  • The Diamond Pin

    Carolyn Wells, J B Lippincott Company

    (Palala Press, Sept. 1, 2015)
    This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
  • The Diamond Pin

    Carolyn Wells

    (CreateSpace Independent Publishing Platform, May 10, 2014)
    This collection of literature attempts to compile many of the classic, timeless works that have stood the test of time and offer them at a reduced, affordable price, in an attractive volume so that everyone can enjoy them.
  • The Diamond Pin

    Carolyn Wells

    (CreateSpace Independent Publishing Platform, July 1, 2013)
    Carolyn Wells (June 18, 1862 – March 26, 1942) was an American author and poet. Born in Rahway, New Jersey, she was the daughter of William E. and Anna Wells. She died at the Flower-Fifth Avenue Hospital in New York City in 1942. -wikipedia
  • The Diamond Pin

    Carolyn Wells

    (Independently published, April 1, 2020)
    "Well, go to church then, and I hope to goodness you'll come back in a more spiritual frame of mind! Though how you can feel spiritual in that flibbertigibbet dress is more than I know! An actress, indeed! No mummers' masks have ever blotted the scutcheon of my family tree. The Clydes were decent, God-fearing people, and I don't propose, Miss, that you shall disgrace the name." Ursula Pell shook her good-looking gray head and glowered at her pretty niece, who was getting into a comfortable though not elaborate motor car. "I know you didn't propose it, Aunt Ursula," returned the smiling girl, "I thought up the scheme myself, and I decline to let you have credit of its origin." "Discredit, you mean," and Mrs. Pell sniffed haughtily. "Here's some money for the contribution plate. Iris; see that you put it in, and don't appropriate it yourself." The slender, aristocratic old hand, half covered by a falling lace frill, dropped a coin into Iris' out-held palm, and the girl perceived it was one cent. She looked at her aunt in amazement, for Mrs. Pell was a millionaire; then, thinking better of her impulse to voice an indignant protest, Iris got into the car. Immediately, she saw a dollar bill on the seat beside her and she knew that was for the contribution plate, and the penny was a joke of her aunt's. For Ursula Pell had a queer twist in her fertile old brain that made her enjoy the temporary discomfiture of her friends, whenever she was able to bring it about. To see anyone chagrined, nonplused, or made suddenly to feel ridiculous, was to Mrs. Pell an occasion of sheer delight. To do her justice, her whimsical tricks usually ended in the gratification of the victim in some way, as now, when Iris, thinking her aunt had given her a penny for the collection, found the dollar ready for that worthy cause. But such things are irritating, and were particularly so to Iris Clyde, whose sense of humor was of a different trend. In fact, Iris' whole nature was different from her aunt's, and therein lay most of the difficulties of their living together. For there were difficulties. The erratic, emphatic, dogmatic old lady could not sympathize with the high-strung, high-spirited young girl, and as a result there was more friction than should be in any well-regulated family.
  • The Diamond Pin

    Carolyn Wells, J.B. Lippincott Company

    (Palala Press, Feb. 17, 2018)
    This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
  • The Diamond Pin

    Carolyn Wells

    (Forgotten Books, March 7, 2018)
    Excerpt from The Diamond PinAbout the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
  • The Diamond Lane

    Karen Karbo

    Paperback (The Overlook Press, March 15, 1993)
    None
  • The Diamond Lane

    Karen KARBO

    Hardcover (Gollancz, March 15, 1992)
    None
  • The Diamond Pin

    Carolyn Wells, . J.B. Lippincott Company

    (Ulan Press, Aug. 31, 2012)
    This book was originally published prior to 1923, and represents a reproduction of an important historical work, maintaining the same format as the original work. While some publishers have opted to apply OCR (optical character recognition) technology to the process, we believe this leads to sub-optimal results (frequent typographical errors, strange characters and confusing formatting) and does not adequately preserve the historical character of the original artifact. We believe this work is culturally important in its original archival form. While we strive to adequately clean and digitally enhance the original work, there are occasionally instances where imperfections such as blurred or missing pages, poor pictures or errant marks may have been introduced due to either the quality of the original work or the scanning process itself. Despite these occasional imperfections, we have brought it back into print as part of our ongoing global book preservation commitment, providing customers with access to the best possible historical reprints. We appreciate your understanding of these occasional imperfections, and sincerely hope you enjoy seeing the book in a format as close as possible to that intended by the original publisher.